CV

Statement

CV Statement

Seula Yi (b. 1990)
Painter

My work begins with a walk through the city. The city is a whole of rectangles filled with lines and planes. As I pass between the diverse rectangles, I think about which one I am filling.

The most significant change in recent years has been filling my 'rectangles'. My first home was an empty white space. The space has changed depending on what I choose to fill it with, and for the first time, I became curious about the other windows. More specifically, the people who fill them. The windows in the building are all the same rectangle, but beyond them are someone's rectangle, and in the same concrete, we are connected by a rectangle device, vaguely connected, separately and together, in small and large rectangles.

The varied facades with dense grey, windows, and dots/lines/planes are fascinating objects to draw. The buildings are full of lines and planes, shadows falling between them, and people are the only surprises in the uniform patterns. Thinking of this place as a big ecosystem planted with concrete, the things that live in this garden have certain rules.

One of the most interesting things as a city resident is to find things to do amongst the dense concrete. I suspect a person walking a dozen dogs at the same time every day and a person rolling up duvets and spending the weekend at the laundromat at the same time. I can be the same person in front of a computer or the person eating lunch from a convenience store while making reservations for a new restaurant for the weekend. The city is full of people lying in bed alone, not talking to anyone but leaning with their smartphones, longing for the stars but chasing the city's lights. People flow into the city for their own reasons.

The city sparkles day to day depending on the people's choices connected with lights organically. The facades reflected the sky with clouds on a bright sunny day, and they were quickly filled with lights when it got dark. It is where people work with the light and become one of them. As part of it, we are spectators and sometimes heroines simultaneously. It all scrambles to fill a rectangle sheet of paper, the paths I walked one day, and the buildings I passed by. A collection of aimless observations became a painting with the hope that my findings would remain as landscapes with sound.

Press

Op-ed

Interview

Press Op-ed Interview

Seula shares her thoughts about Busan, her home city

INTERVIEW — 6 Dec 2024

8 Contemporary Artists Capturing the Spirit of City Life by Maxwell Rabb, Artsy

OP-ED — 31 Jul 2024

Seula shares her love of the city with VILLIV

INTERVIEW — 22 Nov 2023

Review of a solo exhibition in 2023 by the newspaper Korea Daily

REVIEW — 3 Nov 2023

<You and I in the Square> highlighted by the Galleries Association of Korea

EXHIBITION — 1 Nov 2023

Telerama, a French magazine, spotlights Seula and her works

OP-ED — 12 Jul 2023